Flashback Friday, WAAAYYY Back. a.k.a. I'm a MAN, baby!!

Back in the good old days of December 2005, I was invited to a 12th Night party by a group of historical costuming friends whom I had only known via the interwebs. So I had a month to make an outfit to impress a group of people who knew what they were doing, all of whom had likely been working on their costumes for months and months and months.

No problem....yeaaaah.

I decide to go in drag as an 18th centuray man because all womens outfits for almost any period involved undergarments that I just didn't have time to make. Plus I had fabrics and patterns on hand (don't ask me why I had 18th century mens clothing patterns in my stash because I have no earthly idea).

The frockcoat and breeches I did in a grey cotton velvet that I had bought for an Elizabethan gown that I never got around to making. The waistcoat I did in a mulberry satin scrap that I don't even remember what I bought for it.

And what does a girl do when making an outfit in a hurry to make it look impressive..... embroider the CRAP out of it and hope no one notices the fitting and construction mistakes underneath the loud decorations. :-)

Here are some pics of me at the event.



The coat is totally unlined and the facings are safety pinned on the inside. The waistcoat armholes are also completely unfinished, not even bound, just zigzag-ed on the raw edges to keep them from fraying. I was not going to take that frock coat off, so I only finished what you could see. I totally forgot to make a shirt to wear under the waistcoat, so that is an old dress shirt that I forced to work, again hoping the Power of Embroidery would be distracting enough that no one would notice.

Details:

Breeches
I started out using a pattern by Pegree of Williamsburg which was HORRIBLE. I ended up scraping that version and using a pattern by J.P. Ryan instead (Yes, I not only had 18th century breeches patterns, but had several of them from different designers. No, I don't know why.). Every J. P. Ryan pattern I have worked with has been a delight to use. I recommend them.
To save time I made a bunch of alterations, so the finished product was not much like the pattern. I left out the pockets and the back gusset, and took out a lot of the fullness in the seat. The top of the pants are not even finished, just pinned together where it should button closed. Again, since it wasn't going to show, I didn't finish it. I did covered buttons in the grey velvet and used old purse buckles for the knee straps.

Frockcoat
Another J.P.Ryan pattern. I machine embroidered little designs (that matched the waistcoat designs) with yellow and gold metallic threads on grey velvet scraps and covered all the buttons. I used gold braid trim to outline all the buttonholes and the pocket flaps.

Waistcoat
I used a pattern from Rocking Horse Farms. The embroidery I did by machine, and used my new fangled "design" software for the first time to create the total embroidery design. I took a couple basic flower designs that came with the machine and doubled them, flipped them, repeated them, changed the colors, etc to fill the space. I used more gold braid trim to outline the pocket flaps and the edges of the waistcoat, and then used one of the decorative stitches already on my machine in metallic gold thread in between the braiding. Again, the buttons were embroidered and then covered to match the waistcoat.

All in all, an impressive outfit if you don't look too close. I made a grand entrance and I had a great time at the party and, once I got a little comfortable with the folks there (it was my first time meeting ANY of them in person!), we all had a little giggle as I opened the coat and revealed just how sloppy it really was.

Oops I did it again!

And like dear Ms. Spears, I never should have done it the first time.

Halloween 2008. Looking much like the failed attempt of Halloween 2007 only in different colors and with a very cool hat.

Once again, I wore my Sunburst Cocoon Coat from Folkware (that I am now retiring in order to make the newly released Poirot coat!!!). Once again, I made the Decades of Style zig zag dress and once again, through NO FAULT of the pattern but entirely because I am not suited to 1920s styles and not talented enough to make it look good anyways, I looked not so great in it.




The one favorable addition this year was the hat. I got the pattern from the Vintage Pattern Lending Library and it is called the 1920 Paris Cloche Hat. The VPLL was great to work with and I highly recommend them. The pattern was typical for a vintage pattern--not a lot of instruction, but not hard to figure out if you have some basic sewing skills in your arsenal. I really dig the hat.




Oh yes, and the other bright spot in this tragedy were my shoes. They are from Remix Vintage and I love them. :-)




Another addition this year was a punkin that I carved in an Art Deco style to thematically match my costume. It also did not turn out as gorgeous as it appeared in my head.




Next year, NO 1920s!!!! No matter how perfect my hair is!! NO NO NO!!! Maybe Elizabethan or Victorian. Or even if I insist on being more practical, something from the 1940s or 50s.

If I mention the 1920s again, you all have my permission to slap me into sense.

Flashback Friday, the second

Another flashback friday wedding (I think I have weddings on the brain). About 7 years ago, my lovely friend Abi got married in July. Which is very warm here in VA. But her reception hall was very very very air conditioned, so she wanted a Jane Austen-ish coat to wear over her wedding dress to stay warm. There was a jacket that Kate Winslet wears in the Sense and Sensibility movie that she wanted to model it after--I paused my way through that scene about 20 times to see as much detail on it as I could. And here is the final result.




I started with the Spencer Jacket pattern from Sense and Sensibility Patterns's Regency collection. We made a few alterations--took out the poofyness of the sleeves and changed the front opening--to make it more like the movie jacket.

She chose a lovely blue and silver dragon brocade as her fabric, and we decided to line it in a blue cotton since the lining would show a bit. I love the way it turned out--I have always loved that style of jacket, and it really suits both Abi's figure and her personality perfectly.